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Bivouac

by Nick Frater

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1.
Wake up sleepy heads I won’t pretend you want to start the day Wake up out of bed It only goes to show what you won’t say Some days, left for dead Daylight trying to steal away your golden slumbers Wake up sleepy heads It’s time to go, it’s time to steal away, away, away
2.
Here in the town of opportunities waiting for the money to trickle from the city My hair is long, and my suit is all wrong, yeah I know it’s not pretty here in the town of opportunities Looking to the future, the age of computers, A home from home, at Job that works phones For the man in the city Growing up quickly. Turning tricks in a game you can’t fix For a boy who looks sickly Here in the town of opportunities Of milk and honey, and easy money Make believe in this town you can’t leave no it’s all or nothing All for nothing Dumbing down for the press to repress all the time Here in the town of opportunities Sad dust glories, and fairy stories Satanic mills, like the ships we don’t build They don’t sail us gently Here in the town of opportunities options shrinking, the ship is sinking Jumping guns and Myxolydian runs From the sense of violence The sound of silence Empires fail with a sting in the tail And some drums
3.
Mean Vincent 00:57
4.
Here in the wake of heavy industry Strikers are stricken, the miners are forgiven A heavy heart for a town that not part of a chance at ambition Waking in a moment now of clarity to know your place with the the stone cold Tories assets stripped, and the market has slipped on a trail of destruction and false instruction Laying bare the your betters don’t care anymore
5.
The Axe 01:10
6.
Hello Monday, Were you waiting for me long Is the weekend really dead and gone Hello Monday Now I’m home at last Hello Monday Wipe the sleep out of my eye Thanks your lucky stars, I don’t know why Maybe one day If I’m home at last - We could have a month of Sundays You could telephone a friend We could live tonight Till the girls say when - Maybe one day Settle down and sink a few In a smokey room with out a view Striking matches Call the fire brigade Do the monkey Turn a black sheep to a goat Burning pages never question why. All the answers When I’m high & dry - We could have a month of Sundays You could telephone a friend We could live tonight Till the girls say when (guitar lead) - One at a time, One at a time Never show your hand in anger You could have a change of plan Throw down the jams till the girls say when - Hello Monday, Were you waiting for me long Is the weekend really dead and gone Hello Monday Yes I’m home at last - We could have a month of Sundays You could telephone a friend You could leave tonight When the girls say when
7.
Sit down, Tell me a story I don’t want to hear tears on my shoulder when you are near Let down Tell me a heartache that you always feared Like in the movies as strings appeared — Let’s keep it simple, stupid Let us come with no strings attached I’m gonna keep it pretty stupid That’s enough, of a love for me - So long, wait til the morning when we’ll both be gone talking of heartbreaks and favourite songs Slow down Look in the middle distance, there you stood staring at us like I knew you would - Let’s keep it simple, stupid Let us come with no strings attached I’m gonna keep it pretty stupid That’s enough, of a love for me - Let’s keep it simple, stupid Let us come with no strings attached Let’s keep it simple, stupid Let us come with no strings attached I’m gonna keep it pretty stupid That’s enough, of a love for me
8.
We’ll have none of that talk round here a cold hard truth that you never wanna hear that they Better Keep both friends and enemies near We’ll have none of that talk round here It’s a four letter word It’s an onomatopoeia It’s a warning whispererd in your ear — God knows, how heaven it could wait so long God knows how heaven it could take so long And on and on and on — We’ll have none of that talk right now IIt’s all ‘what about them’ when you tell your truth to power That’s is how they always win at the final hour - God knows, how heaven it could wait so long God knows how heaven it could take so long And on and on and on — I will remember everything I wrote it down for you I will remember peace at last, the symbol plain Of human right and human gain — God knows, how heaven it could wait so long God knows how heaven it could take so long And on and on and on
9.
10.
Clocks punch the poor Sell door to door 16 houses to go and I’m off to knock one more False starts in need Right hearts exceed 16 houses to go and a Family to feed So I’m running the numbers down Running the numbers down 16 Houses to go Wouldn’t you like to know Pristine houses for show But a darker side of town Now I’m running the numbers down Running the numbers down Listening stations begin Track where I’ve been 16 house to go and And I know they’re tuning in Still I’m running the numbers down Running the numbers down
11.
Will it be enough When I fall in love When I fall in love Will it be enough When I fall in love Some times the Hard times not enough Sometimes the words aren’t there at all Hard times , the writing’s on the wall —— Baby love Does it break your heart Does your engine start for a Baby love Maybe not Sometimes the Hardlines all you got Sidelined to take what you can get rewind.forgive and to forget To forget, to forget, to forget etc Forget what you been told Forget what you been told I tell you now — Is it good enough Does it change your plan Does he understand Is he good enough Does it change your plans Headstands themselves don’t fall in love Sometimes the words aren’t there at all hard-lines you have to read them all - When I fall in love Will it be enough Will it be enough When I fall in love When I fall in love Some times the Hard times not enough Sidelined to take what you can get rewind, forgive and to forget Baby love, baby love, baby love baby love Forget what you been told Forget what you been told Or maybe not
12.
13.
She writes him ‘with regret’ Forgive and to forget How Everything was different She’s dotting all the eyes And whiting out the lies Now Everything sounds different She wasn’t meant to see He wasn’t meant to be Another mr nice guy — But Don’t get sentimental Cold hearts treat you gentle As they never fall apart Don’t let misty eyes Distract you from the prize More fool You if you let them start — She never would have guessed As they had seconds left That Every one was different The waiting starts to show In Faces that she knows No more mister nice guy - They tell me heartbreak is an art And everyones a critic now They all play their part But Don’t get sentimental Cold hearts treat you gentle As they never fall apart Don’t let misty eyes Distract you from the prize More fool You if you let them start - Don’t get sentimental Cold hearts treat you gentle Breaking accidentally Cold hearts treat you gently Don’t get sentimental Cold hearts treat you gentle Breaking accidentally Cold hearts treat you gently
14.
Closing Time 04:44
Every time I think we’ve hit below the line, the bottom line is Maybe it’s too late, I think it’s closing time, it’s closing time Every time I sink below the feeling fine, the final line says Every time you wake I think it’s closing time, it’s closing time I never noticed when the sun came up I never noticed I was loosing touch It never entered my mind It’s closing time The final notice landed red and wrong The final act has left us dead and gone We’ve reached the curtain line It’s closing time
15.
Boom and bust, and turn to dust Crash and burn and we loss adjust I wanna know right now I gotta know right now Is it a Means to an end Let’s not pretend I’m ready to go Boom & bust, it seems we must Separate from this wanderlust We wanna go right now We gotta know right now When will it offer return Money to burn I’m ready to go - ROGER:(Boom or bust, and turn to dust) ROGER: (Boom or bust, and return to dust) You’re gotta Talk to the hand Stick to the plan I’m ready to go - Crash and burn, when will you learn boom and bust is what the markets trust They wanna know right now They gotta know right now Markets will turn money to burn I’m ready to go — (Boom or bust, and turn to dust) (Boom or bust, and return to dust) You’re gotta Talk to the hand Stick to the holding plan god damn I’m ready to go __ ROGER:(Boom or bust, and turn to dust) ROGER:(Boom or bust, and turn to dust) ROGER: (Boom or bust, and return to dust) Don’t wanna Talk to the hand Or work for the man I’m ready to go
16.
to absent friends, then home at last to raise a glass once more till it’s a Man over board Man overboard to the sea With absent minds we drifted along With Valentines and songs for a Man overboard, Man he was bored you could see He looked at me, I didn’t look back, He’s building bivouacs for a Man overboard, Man overboard was that me
17.
Here in a marriage of convenience, Clocks are ticking, their hands keep gripping Not letting go to the status quo But the standards are slipping Here in the face of adversity The empty shell of the boys from the country Cold hard truths that their youth has been used by the man in the city Making his money Nothing to lose from the life in the woods he will choose
18.
19.
Step into the motorcar Step into the blue I’m driving a motorcar I’m riding the tube - I’ve got to getaway from the city, harvest moon again I’ve got a layaway On a plan to not to remain - Step into the motorcar Get out of my lane I’m riding this vehicle I’m leaving again — I’ve got to get away with the summer Sunshine after rain you’ve got to get upside to the Sunny side again — you’ve got to be some kind of astronaut Turning circles tighten This seems to be some kind of afterthought Burning candles brighten Brings me back to earth — Step out of the motorcar Step into the room Fly over the handlebars I’m over the moon — This might just make my day in the city Half this time again You’ve got to takeaway from what’s missing To explain — I’ve got a hand upon the astrolabe Vicious cycles tighten You seem to stand beside the palisades Titan’s stars can frighten Brings me back to earth I’ve got to be some kind of astronaut Turning circles tighten Bring me back to earth
20.
21.
Nice dinner and I hold her hand Last supper and a leaving plan Tonight, last orders for the son man tonight I’m leaving to be left alone No money or a telephone tonight No worries cos I’m Leaving home Tonight, I’m leaping to the great unknown — Leave it to the city where they don’t understand Leave it to the city this is out of my hands Leave it to the city now I know where I stand, A last supper and a leaving plan Leave it to the city and the overkill Leave it to the city and your sleeping pills Leaving from the city to the fat of the land A last supper and a leaving plan tonight — No money for the Holy Ghost No rumours of a coast to coast tonight No answer cos you know I could be right No exit coming into sight No contact from a satellite tonight No worries it will be alright, Last orders then I leave tonight - Leave it to the city where they don’t understand Leave it to the city this is out of my hands Leave it to the city now I know where I stand, A last supper and a leaving plan Leave it to the city and the overkill Leave it to the city and your sleeping pills Leaving from the city for the fat of the land A last supper and a leaving plan tonight Leave it to the city and the sinking id Leave it to the city and we’ll go off grid Leave it to the city and the son of sam A last supper and a leaving plan
22.
Little sister, Little sister Starting to fall So I Answer the call For little sister moon Little sister, little sister, Lost in the past And tied to the mast For little sister moon - So i will walk the scenic route To see you through and back along the darkest track Out among the bivouacs - Little sister, Little sister, Run to the wall If the Hammer will fall On little sister moon - So I will walk the scenic route To see you through and back along the darkest track Out among the bivouacs
23.
So long, sleepy heads It’s time to go, it’s time to steal away, away, away

about

Nick Frater's 11th studio album, "Bivouac," emerges as a sophisticated pop masterpiece in his prolific discography. Embarking on a thematic journey, it encapsulates the quest for solace in a woodland sanctuary amidst post-industrial Britain. Drawing melodic echoes from Bacharach, Tillbrook, McCartney, and Rundgren, Frater's songcraft resonates deeply, particularly with devotees of Ram and Wizard a True Star. Across 23 impressive tracks, "Bivouac" adeptly melds power-pop, orchestral-pop, and prog intricacies, serving as a testament to Frater's creative dedication. Embracing an ambitious collaborative spirit, he unites with melodic-rock luminaries including Roger Joseph Manning Jr. (Beck/Jellyfish), Luke Smith (Ulysses), and Joe Kane (The Poppermost), seamlessly intertwining these talents with authentic Radiophonic tape effects, Mellotron textures, and Pink Floyd's original Dark Side of the Moon synthesizer.

credits

released November 17, 2023

The cast In order of appearance:

Nick Frater: Vocals, Wurlitzer EP200, Suzuki Omnichord, Philips Philichorda, Mellotron M400, Arp DGX, Moog Prodigy & Minimoog, Yamaha PS-55, Solina String Ensemble, Rickenbacker 4003, Squier Jazzmaster, Epiphone Casino, Hofner violin bass, Fender Mustang bass, Taylor acoustic, Harmony upright piano/prepared piano, Danelectro Longhorn bass, Squier Cabronita baritone guitar, August Förster grand piano, Premiere timpani, tubular bell, marimba, and hand percussion

Roger Joseph Manning Jr: Vocals

Joe Montague: Ludwig and Premiere drums, Amedia cymbals, Hofner violin bass, Premiere tubular bells, timpani, tam tam, and marching band percussion

Andy Pickering: Philips Philichorda, Fender Rhodes bass, Harmony upright piano, Wurlitzer EP200, Gibson J160e, Radiophonic tape effects

Chris Mulligan: Fender Stratocaster, Epiphone Casino, acoustic, pathfinding Mellotron,

Jamie Whelligan, Vocals, Maton acoustic, Hofner violin bass, Squier Cabronita baritone guitar

Jake Smith: Fender Telecaster, Gibson SG, Rickenbacker 4003, Gibson J200

Derrick Coonghe: Selmer Mk VI Baritone and Tenor Saxophones

Cary Grace: EMS VCS3

Joff Hathaway: Axe

Joe Kane: Fire-bell

Scott Gagner: Transatlantic drums and cymbals

Alex Lewis: Vocals, spiritual guidance

Andy Thompson: Mellotron M400, Moog Minimoog, horse-whisperering at the synth sanctuary

Steven Wilson: Vocals

Danny Wilkerson: Vocals

Luke Smith: Greco Rickenfaker, Moog Minimoog, Mellotron M400, Arp DGX, percussion

Tom Shotton: Premier drums, Zildjian cymbals

Lenny Smith: Percussion, cosmic dancing




Written, performed, engineered, mixed and produced by Nick Frater

Recorded at All You Need Is Drums Kippax, Buffalo Studios London, Abbey Road Studios London, and at our homes

Joe Montague: Sound engineering, enthusiasm
JB Pilon: Sound engineering, patience
Lannie Flowers: Sound engineering, whiskey

Mastered at Simon Francis Mastering

Art and design Adam Mallett

For Gemma and Ivy

A Think Like A Key Music release ©℗2023 Nick Frater under exclusive license to Think Like A Key Music www.thinklikeakey.com
All rights of the owner of the works reproduced reserved. Made in EU. 720053285291

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Nick Frater Croydon, UK

Croydon based songwriter/producer/multi-instrumentalist.

Specialising in 60s/70s inspired power-pop.

Making them like that anymore!

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